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Prelude to the Mantis (Posthumous) by Chino XL Album Review

Alla Xul Elu Have “No Masters” (Album Review)

High Focus Records Founder Fliptrix Announces His 11th LP “Elevation” Prod. by Telemachus, Attaches Visuals For the 7th Single “Freedom?” Ft. Coops

Nadathing’s ‘Gracias Por Nada’, a Gritty Homage to ORGANIZED KRIME’s Legacy

KRS-One Returns to Europe in “My Philosophy” 2026 Tour

Nezzy and DJ Fastcut Drop a Detonator with “Kaboom Bap”

AZ Takes Over La Santa OC for the Doe or Die 30th Anniversary

S.O.S. Details What It’s Like Being “Unloved by God, Unwanted by Satan” (Album Review)

Roc Marciano Self-Produces “656” Ahead of “Criminal Jazz” & “Mt. Magneto” (Album Review)

”I” Marks a Spiritual Beginning to Jon Connor’s Ongoing 12-Part Series Spanning All of 2026 (EP Review)

J Reno Makes His Dirtcore Music Debut Kicking Off “The Dirttape” Trilogy (Mixtape Review)

Big Lenny Is Chasing His Fate In New Single “Ride”

Isaac Pelayo Curates ‘OBSCURA’, a Must-See Photography Showcase in Los Angeles

D-Styles Helps Recognize Ali in Ensuring “All Shall Perish” (Album Review)

The Horde a.k.a. Boondox & Bukshot’s New Mixtape “Paradigm Sync!” is a Superior “Paradigm Shift” Sequel (Mixtape Review)