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Chill Beats















Alfred Banks Takes “The Survivor’s Condition” on Tour Hitting 8 Cities This Spring

How YouTube’s New ‘Collaborator’ Feature Changes the Game for Hip-Hop Artists & Creators

“Omnipotent Methodology” Finds BLAX Taking Inspiration From Duck Down to the Late J Dilla & MF DOOM (Album Review)

Wordsworth & Stu Bangas Level Up Their “Chemistry” (Album Review)

Prelude to the Mantis (Posthumous) by Chino XL Album Review

Alla Xul Elu Have “No Masters” (Album Review)

High Focus Records Founder Fliptrix Announces His 11th LP “Elevation” Prod. by Telemachus, Attaches Visuals For the 7th Single “Freedom?” Ft. Coops

Nadathing’s ‘Gracias Por Nada’, a Gritty Homage to ORGANIZED KRIME’s Legacy

KRS-One Returns to Europe in “My Philosophy” 2026 Tour

Nezzy and DJ Fastcut Drop a Detonator with “Kaboom Bap”

AZ Takes Over La Santa OC for the Doe or Die 30th Anniversary

S.O.S. Details What It’s Like Being “Unloved by God, Unwanted by Satan” (Album Review)

Roc Marciano Self-Produces “656” Ahead of “Criminal Jazz” & “Mt. Magneto” (Album Review)