“The Pivot” Passably Expresses DJ Scratch’s Love for House (Album Review)

“Northern Quarter Confidential” Prod. by Four Limbs is Some of Sleazy F Baby’s Jazziest & Introspective Material (EP Review)

“F.U. S.M.D. 3 (For U, Some Musical Distraction 3)” Finds Mr. Green Getting Serious as a Performer Despite Using AI for 60% of the Production [EP Review]

“West Coast ‘96” Tests Whether or Not KXNG CROOKED’s Still Passionate About Making Music (Album Review)

“Nobody Spared” Returns to Scum’s Roots Aside From Some Introspection (Album Review)

Souls of Mischief’s New EP “Clean Getaway” Isn’t as Great as “All Said & Done”, But It’s Still a Passable Prelude to Their 7th LP (EP Review)

“The Horrible Chronicles” is a Passionate Lyrikal Snuff Productionz Debut for the King of HorribleCore (Album Review)

GZA Delivers a Night of Liquid Swords in Orange County

Solo tha Secret Recruits Some of Long Beach’s Finest for “Secret Affiliates” (Album Review)

Mickey Diamond & Big Ghost Ltd. Release the 2-Part Epilogue to “The Wolf, The Sheep & The Goat” Series “B.I.L.L.Y.” (Album Review)

Kofi Stone Releases His 4th LP “The Last Flower to Bloom”, an Epilogue to “All the Flowers Have Bloomed” (Album Review)

“Universal Perverts” Gives Us Alla Xul Elu at Their Raunchiest to Prelude “WHellcome Home” (EP Review)

The Super Famous Fun Time Guys Announce Their Disbandment