“Blood of the Lamb” Prod. by Big Ghost Ltd. Ends Mickey Diamond’s “The Wolf, The Lamb & The Goat” Trilogy with a Predominantly Religious Theme (Album Review)

Wallace Delivers Pure Australian Rap Energy on Mums Holden

NVY JONEZ LKR & MACHACHA Bring Transatlantic Grime on ‘Villano De Medianoche’ (Album Review)

“Due Diligence” Prod. by Haas Almahdi is SK da King at His Greatest (EP Review)

Da Beatminerz & John Brown The Rapper Find Alchemy on ‘Waxing In Mecca’ (Album Review)

“Water to Wine” Prod. by Big O is Cashus King’s Way of Saying We’re All Capable of Change (Album Review)

“Sir Render” Finds Navy Blue Grappling With His Previous Self (Album Review)

Sick Jacken and Immortal Technique Deliver Unforgettable Night at Don Quijote

“The Artist Yahn Freeman V” Switches Things Up Since Jon Connor’s Working with a New Producer & More Guests (EP Review)

“It Gets Greater Later” Finds Courtney Bell Encouraging All to Put Faith Over Timing (Album Review)

“8 Shots” Takes It Back to the Grittiness of the Previous Entries in 38 Spesh’s Historic Series (Album Review)

Seth Narley’s Rocking “Prada Cups in the South of France” (EP Review)

Mr. Y.U.G.’s 7th LP “UrAmerica” Returns After 9 Years for a Statement Inspired by His 4-Year Old Autistic Son (Album Review)