Da Beatminerz & John Brown The Rapper Find Alchemy on ‘Waxing In Mecca’ (Album Review)

“Water to Wine” Prod. by Big O is Cashus King’s Way of Saying We’re All Capable of Change (Album Review)

“Sir Render” Finds Navy Blue Grappling With His Previous Self (Album Review)

Sick Jacken and Immortal Technique Deliver Unforgettable Night at Don Quijote

“The Artist Yahn Freeman V” Switches Things Up Since Jon Connor’s Working with a New Producer & More Guests (EP Review)

“It Gets Greater Later” Finds Courtney Bell Encouraging All to Put Faith Over Timing (Album Review)

“8 Shots” Takes It Back to the Grittiness of the Previous Entries in 38 Spesh’s Historic Series (Album Review)

Seth Narley’s Rocking “Prada Cups in the South of France” (EP Review)

Mr. Y.U.G.’s 7th LP “UrAmerica” Returns After 9 Years for a Statement Inspired by His 4-Year Old Autistic Son (Album Review)

“Prismas Electricos” Prod. by Native Born Marks Godilla’s Nostalgic Return After 9 Years (EP Review)

”Only Crying Because I’m Drunk Too” Presents a More Versatile BVNGS (EP Review)

Gibby Stites & ILLtemper are “GILLtemper” (EP Review)

”Death Upon Dem” Finds Babylon Dead Returning When the People Needed Them Most (Album Review)