“G.A.M.O. (Gods Against Man’s Oppression)” is Better Than Napoleon da Legend’s Previous LP Even if It’s Bloated [Album Review]

“The Layoff: No Hooks” is Giffy Pluggo Rebuilding Himself in Real Time (EP Review)

Curren$y Brings Winners Circle tour to The Compound LA

”Re-Route: Reflection” Prod. by Supah Mario Could Be LIFEOFTHOM’s Finest EP Yet (EP Review)

Aj Snow – Out the Way (Album Review)

”Shattered Glass” is Daniel Son’s Interpretation of Futurewave’s “Soundwave” (EP Review)

Coyote Are in Top Form With Their 4th LP “Machetes & Micheladas” Prod. by Statik Selektah (Album Review)

Cormega Celebrating 25 Years of “The Realness” at The Regent Theater in Los Angeles

Fat Ray Drops “Santa Barbara” Sequel “Santa Rosa” to Warm Up for “Food From the Gods II” (Album Review)

Kyle Maher Drops “Want Some More”

dälek’s First LP in Almost a Decade “Brilliance of a Falling Moon” Lividly Addresses the State of America (Album Review)

Fliptrix’ 11th Album “Elevation” Prod. by Telemachus Looks to Spark Conversations About the World Collapsing (Album Review)

“The Dirttape 2” Bridges J Reno’s Ongoing Trilogy Telling More Stories About The Tape Keeper (Mixtape Review)