The Natural Elements’ Debut Album “aligNmEnt” Arrives Over 3 Decades Since Their Formation (Album Review)

“The Artist Yahn Freeman IV” Has the Best Engineering of Jon Connor’s Whole 2026 Series (EP Review)

”Mo’ Weed 4 Sale” Beats “Weed Money” & “Smoke Me Out” to Become Daz Dillinger’s Finest 4/20-Themed LP (Album Review)

Lupe Fiasco Shuts Down the House in Long Beach at the 2026 Acura Grand Prix

”No Direction” Lands Behind “Digital Voodoo” as The R.O.C.’s Best LP (Album Review)

Charlie Beans Produces Most of James Joyce the Squatch’s Confessional Rogue Hollow Debut “Discomfort Inn” (Album Review)

Lupe Fiasco Drops Lost-Track “Crash Out” from Food & Liquor era

“G.A.M.O. (Gods Against Man’s Oppression)” is Better Than Napoleon da Legend’s Previous LP Even if It’s Bloated [Album Review]

“The Layoff: No Hooks” is Giffy Pluggo Rebuilding Himself in Real Time (EP Review)

Curren$y Brings Winners Circle tour to The Compound LA

”Re-Route: Reflection” Prod. by Supah Mario Could Be LIFEOFTHOM’s Finest EP Yet (EP Review)

Aj Snow – Out the Way (Album Review)

”Shattered Glass” is Daniel Son’s Interpretation of Futurewave’s “Soundwave” (EP Review)