NY Duo SoulFu Release’s “Patience” Just In Time

“Crystal Skull” Prod. by Illinformed Expands the World of Ramson Badbonez’ Previous LP “White Rabbit” (Album Review)

Asun Eastwood & Daniel Son’s 3rd Collab LP “Nom de Guerre” Prod. by Futurewave Reminds Us All That Their Chemistry Hasn’t Declined Since “Bite the Bullet” (Album Review)

Tall Black Guy Celebrates a Decade of “Let’s Take a Trip” at The Regent Theater in Los Angeles

Baby Smoove Brings “The Purple Heart Tour” to The Regent Theater in Los Angeles This November

Blizzard & Big Shaady Create 1 Unified Sound for Bizarre to Advise “Don’t Cross the Street” (Album Review)

“It Takes a Village” is Che Noir’s Honest Reflection of Motherhood (Album Review)

MC Eiht Reflectively Tells “The Story of My Life” (Album Review)

“Catch a Vibe” With Young Chris’ First Solo Offering in Over a Decade (EP Review)

“The Pivot” Passably Expresses DJ Scratch’s Love for House (Album Review)

“Northern Quarter Confidential” Prod. by Four Limbs is Some of Sleazy F Baby’s Jazziest & Introspective Material (EP Review)

“F.U. S.M.D. 3 (For U, Some Musical Distraction 3)” Finds Mr. Green Getting Serious as a Performer Despite Using AI for 60% of the Production [EP Review]

“West Coast ‘96” Tests Whether or Not KXNG CROOKED’s Still Passionate About Making Music (Album Review)