“Songs of Samhain V: Outside of Heaven” Might Be the Most Mild Entry in Majik Ninja Entertainment’s Series of Halloween Compilations (Album Review)

Ras Kass Drops New EP “Fallout” Exclusively on The Revindicated’s Website (EP Review)

NY Duo SoulFu Release’s “Patience” Just In Time

“Crystal Skull” Prod. by Illinformed Expands the World of Ramson Badbonez’ Previous LP “White Rabbit” (Album Review)

Asun Eastwood & Daniel Son’s 3rd Collab LP “Nom de Guerre” Prod. by Futurewave Reminds Us All That Their Chemistry Hasn’t Declined Since “Bite the Bullet” (Album Review)

Tall Black Guy Celebrates a Decade of “Let’s Take a Trip” at The Regent Theater in Los Angeles

Baby Smoove Brings “The Purple Heart Tour” to The Regent Theater in Los Angeles This November

Blizzard & Big Shaady Create 1 Unified Sound for Bizarre to Advise “Don’t Cross the Street” (Album Review)

“It Takes a Village” is Che Noir’s Honest Reflection of Motherhood (Album Review)

MC Eiht Reflectively Tells “The Story of My Life” (Album Review)

“Catch a Vibe” With Young Chris’ First Solo Offering in Over a Decade (EP Review)

“The Pivot” Passably Expresses DJ Scratch’s Love for House (Album Review)

“Northern Quarter Confidential” Prod. by Four Limbs is Some of Sleazy F Baby’s Jazziest & Introspective Material (EP Review)