“The Horrible Chronicles” is a Passionate Lyrikal Snuff Productionz Debut for the King of HorribleCore (Album Review)

GZA Delivers a Night of Liquid Swords in Orange County

Solo tha Secret Recruits Some of Long Beach’s Finest for “Secret Affiliates” (Album Review)

Mickey Diamond & Big Ghost Ltd. Release the 2-Part Epilogue to “The Wolf, The Sheep & The Goat” Series “B.I.L.L.Y.” (Album Review)

Kofi Stone Releases His 4th LP “The Last Flower to Bloom”, an Epilogue to “All the Flowers Have Bloomed” (Album Review)

“Universal Perverts” Gives Us Alla Xul Elu at Their Raunchiest to Prelude “WHellcome Home” (EP Review)

The Super Famous Fun Time Guys Announce Their Disbandment

“Salty n Lit” Decently Presents Who Salt of Salt-N-Pepa Has Become as a Person (Album Review)

Kurupt, Masta Killa & Rakim Bring 2Pac’s Visions of “1 Nation” to Life For “The Godbody LP” Prod. by Nick Wiz & Rakim (Album Review)

The Eastside Ninjas’ 2nd Album “The Return of the Lotus” Tries & Fails to Continue Dark Lotus Without the Insane Clown Posse (Album Review)

Mi$tuh G Keeps It Ice Cold on “Kold As Me” Video

THOP Fest 2026 Returns with Kota The Friend, Ras Kass, and a Stacked Lineup at New Fontana Home

Stevie Crooks Returns to the Shadows with a Cinematic Hitman Saga on “Lord of the Shadows” (Album Review)