Kofi Stone Releases His 4th LP “The Last Flower to Bloom”, an Epilogue to “All the Flowers Have Bloomed” (Album Review)

“Universal Perverts” Gives Us Alla Xul Elu at Their Raunchiest to Prelude “WHellcome Home” (EP Review)

The Super Famous Fun Time Guys Announce Their Disbandment

“Salty n Lit” Decently Presents Who Salt of Salt-N-Pepa Has Become as a Person (Album Review)

Kurupt, Masta Killa & Rakim Bring 2Pac’s Visions of “1 Nation” to Life For “The Godbody LP” Prod. by Nick Wiz & Rakim (Album Review)

The Eastside Ninjas’ 2nd Album “The Return of the Lotus” Tries & Fails to Continue Dark Lotus Without the Insane Clown Posse (Album Review)

Mi$tuh G Keeps It Ice Cold on “Kold As Me” Video

THOP Fest 2026 Returns with Kota The Friend, Ras Kass, and a Stacked Lineup at New Fontana Home

Stevie Crooks Returns to the Shadows with a Cinematic Hitman Saga on “Lord of the Shadows” (Album Review)

B.Z.A and MannyRR Release Impact

Jeru The Damaja Returns to L.A. and Shuts Down the Lodge Room

Mi$tuh G Breaks Down the Price of Elevation From a “Bird’s Eye View” (EP Review)

“The Bronko Tape 2” Continues to Explore the Similarities Between Valid & Bronko Lubich (Mixtape Review)