“Ancient History” Sounds More Drumless & Abstract Compared to Wiki’s Previous LP “14K Figaro” (Album Review)

Kain Cole Runs It Back with Foul Mouth for His Sophomore Effort “Khronicles of Kain” (Album Review)

Hus Kingpin is back with THREESOME 6

Typical Cats Celebrating 25 Years of Their Classic Debut in Los Angeles at Don Quixote

“Blood of the Lamb” Prod. by Big Ghost Ltd. Ends Mickey Diamond’s “The Wolf, The Lamb & The Goat” Trilogy with a Predominantly Religious Theme (Album Review)

Wallace Delivers Pure Australian Rap Energy on Mums Holden

NVY JONEZ LKR & MACHACHA Bring Transatlantic Grime on ‘Villano De Medianoche’ (Album Review)

“Due Diligence” Prod. by Haas Almahdi is SK da King at His Greatest (EP Review)

Da Beatminerz & John Brown The Rapper Find Alchemy on ‘Waxing In Mecca’ (Album Review)

“Water to Wine” Prod. by Big O is Cashus King’s Way of Saying We’re All Capable of Change (Album Review)

“Sir Render” Finds Navy Blue Grappling With His Previous Self (Album Review)

Sick Jacken and Immortal Technique Deliver Unforgettable Night at Don Quijote

“The Artist Yahn Freeman V” Switches Things Up Since Jon Connor’s Working with a New Producer & More Guests (EP Review)