MIKE SUMMERS a.k.a. Seven Produces Psychopathic’s New Artist Wakko the Kidd’s Sophomore Effort “Infinity” (Album Review)

60 East Creates a New Way to Explore Hip-Hop History With The Word Search Cipher

Nezzy Honors the Late Tame One with “Blackbook” (EP Review)

Q-Unique’s 4th LP “The QR Code” Prod. by DJ Rhettmatic Celebrates the Culture’s Principles (Album Review)

“Dragon’s Breath” Prod. by P.A. Dre is a Full Circle Moment for Inspectah Deck (Album Review)

UFO Fev Preludes “Creatine” with Machacha-Prod. EP “4 the High” (EP Review)

Roughneck Jihad Returns to Boot Records for New LP “Methanol” Distilling His Chemistry with Senz Beats (Album Review)

Vast Aire of Cannibal Ox Brings The Cold Vein 25th Anniversary Tour to the Regent Theater

“Tales from My Hood” Prod. by DJ Battlecat Marks Kurupt’s Return to Death Row Records After Over 2 Decades (Album Review)

“Brabus & Lorinsers” Briefly Mixes Ramirez’ Styles Old & New (EP Review)

“Zero Point Modulations” Enlists a Star-Studded Cast of UK MCs for the Beginning of King Kashmere Tending to His True Calling as a Producer (Album Review)

Rio Da Yung OG’s “The World is M.I.N.E.” Tour Touches Down at the Regent Theater

“Price of Pain” Prod. by Harry Fraud is the Greatest Dave East Has Sounded Since Leaving Def Jam (Album Review)