“8 Shots” Takes It Back to the Grittiness of the Previous Entries in 38 Spesh’s Historic Series (Album Review)

Seth Narley’s Rocking “Prada Cups in the South of France” (EP Review)

Mr. Y.U.G.’s 7th LP “UrAmerica” Returns After 9 Years for a Statement Inspired by His 4-Year Old Autistic Son (Album Review)

“Prismas Electricos” Prod. by Native Born Marks Godilla’s Nostalgic Return After 9 Years (EP Review)

”Only Crying Because I’m Drunk Too” Presents a More Versatile BVNGS (EP Review)

Gibby Stites & ILLtemper are “GILLtemper” (EP Review)

”Death Upon Dem” Finds Babylon Dead Returning When the People Needed Them Most (Album Review)

Digital Underground Celebrating 35 Years of “Sex Packets” in Los Angeles at Regent Theater

Lupe Fiasco Brings the Food & Liquor Anniversary Tour to The Wiltern

Chill Rob G’s 5th LP “Survival of the Better” Prod. by C-Doc Sounds Noticeably Jazzier Than His SpitSLAM Debut “Empires Crumble” (Album Review)

“Endless Night” Answers a Few Questions Hexxx Has Has for Some Time (EP Review)

“Smile” Further Justifies Nick Grant’s Potency (Album Review)

Sham Blak Returns to His Roots with “Ain’t Nothing Like San Diego”