Action Figure 973 Ends 2025 with “Luchador Body Odor” Prod. by Wulverine (EP Review)

Dusk & Planta Beats Form Yung Byron’s Revenge with Haunting Debut “Sirens”

Alfred Banks Forges Resilience on ‘The Survivor’s Condition'” Prod. By Pellow Talk (EP Review)

C.City Fuels the Underground with High-Octane Single “What We Doing”

Justin and the Honored None Confronts Memory and Grief in ‘they said i was a ghost’

Payday LA Take Over with Musalini

Eddie Kaine Reunites with Wavy da Ghawd for “12/24” Sequel “12/24: The Night Before (Mixtape Review)

Jason Martin Shouts Out the People Celebrating “A Lonely Winter” This Christmas Eve (EP Review)

Choco Valens Ends The Year With New Single “Well Done”

Action Figure 973 & Circa 97 Drop “Lucha Libre for the Soul” Sequel “Lucha Libre for Christmas” (EP Review)

Slim Baby Is Back With New Single “Fighting My Demons”

AJ Snow and Sledgren Serve Up Luxury and Ambition on Smelling Like Succes – Album Review

For the Culture Part 2 Brings a Cultural Takeover to Los Angeles

Nvy Jonez Lkr, Chop The Father, & Nuglife End The Year as “DESPERADOZ” (EP Review)

San Louis Records Unleash “The Paris Chainsaw Massacre” EP Prod. By $moky P

Lee Carver of Alla Xul Elu Releases Highly Conceptual Sophomore Effort “Meathead: Satanic Steakhouse” (Album Review)

”Wolf Tickets” Marks an Introspective Beginning to Mickey Diamond & Big Ghost Ltd.’s Ongoing Trilogy (Album Review)

CunninLynguists Drop Part Two of ‘The Heartstring Theory’ EP Series