Westside Gunn Releases “Heels Have Eyes III” in Time for Halloween (Mixtape Review)

Heem Releases a Decent Conclusion of the “Bars & Noble” Trilogy on Halloween (Album Review)

Twiztid Celebrates the 25th Anniversary of “Freek Show” & the Insane Clown Posse Announce “JCW Lunacy” Tapings at the 32nd Annual Hallowicked

“Overkill” Celebrates Halloween the Dirtcore Music Way (Album Review)

Insane Clown Posse Announces Vince Russo as an Investor of Juggalo Championship Wrestling JCW)

Album Review: God Don’t Like Ugly by AJ Snow & Jansport J

”Dump Gawd: Hyperbolic Time Chamber Rap 18” Marks Jay NiCE & Tha God Fahim’s 2nd Collab EP in 48 Hours (EP Review)

Klokwerk E Release Their Conceptual 4th EP “Rent a Friend” (EP Review)

Aesop Rock Surprise-Drops His 12th Album “I Heard It’s a Mess There Too” Almost 5 Months After “Black Hole Superette” (Album Review)

Jay NiCE & Tha God Fahim Lock Back in For Their 3rd Collab EP “Dump Gawd: Hyperbolic Time Chamber Rap 17” (EP Review)

”Fight the Power!” is Mike Shabb’s Most Militant Musical Statement (Album Review)

Monie Love Releases New EP “Love Notes” Prod. by Baby Paul Formerly of Da Beatminerz, First Project in 33 Years (EP Review)

”Made by Dope” Prod. by Harry Fraud Takes Bruiser Wolf’s Unique Cadence to New Levels (Album Review)

“Twice a Day w/ Food” Finds BVNGS Hungrier Than She Was on “Mary Mack” (EP Review)

C-Lance Reunites with Novatore to Release “Embrace the Darkness III” (Album Review)

Tha God Fahim & Drega33 Stick to a Drumless Chipmunk Soul Sound for “Lethal Weapon 4” (EP Review)