Chris Webby’s 4th EP “88 Milligrams” Prod. by Scott Storch Comes Off the “Wednesday” Series with Chris’ Greatest Material (EP Review)

Locksmith’s 7th Album “Wine & Circus” Prod. by The Heatmakerz is His Greatest Since the “No Questions” EP (Album Review)

Tommy Marsh Releases Debut Album “Marshland’

Brother Nature’s Debut Album “Solar Maximum” Prod. by KimonoFox Pushes His Creativity Beyond the Limits (Album Review)

King Iso’s 7th Album “ghetto psycho” Gets to the Root of the Problem & Creates His Own Sound (Album Review)

Miz Korona’s 3rd EP “…I Forgive Me” Celebrates Her Birthday With Her Most Introspective Work (EP Review)

Daz Dillinger Seeks Clarity Regarding Death Row’s Past on “Retaliation, Revenge & Get Back 3” (Album Review)

Quest Mcody Takes Us Down “Smoker’s Alley” (EP Review)

Read the PDF Unites For the Uniquely Conceptual “Listen, It’s Too Late. The Jig’s Up!” (EP Review)

A-F-R-O and 60 East Return with “At The Sideshow 2: Art House (Album Review)

“Paint the World Black” Prod. by Buckwild Could Be Saigon’s Greatest LP Ever Only 25 Years in the Game (Album Review)

Billy Obey Offers a Gander at the “Rhymebook of the Recently Deceased” (Album Review)

V Don Taps in With Crimeapple to Serve Up “Bulletproof Chicken” (Album Review)

“M.E.M.O.I.R.S. (Music Evokes Memories Offering Inspiration, Radiating thru Sound)“ Becomes Jamil Honesty’s 2nd Classic in 10 Months (Album Review)