Westside Gunn Day is Celebrated with the Near-Perfect Drumless/Boom Bap Tape “Heels Have Eyes II” (Mixtape Review)

Kyle Rapps Drops Sun Soaked Rhymes on ‘Surf Tape’, Fully Produced By Dan The Automator (EP Review)

D Smoke’s Death Row Records Debut “Wake Up Supa” Opens a Window to His Self-Awareness (Album Review)

”Supreme Clientele 2” Feels Like Vintage Ghostface Killah Albeit Sharper (Album Review)

Tommy Marsh Don’t Want Your Love!

Rhyme Fest 2025: A Legendary Night at The Torch, LA Coliseum

”Lil Tart” Embraces Brigid Bites’ Electronic Influences Heavier (EP Review)

Shaggytheairhead’s Journey to a “Secret World” Helps Him Cope with These Past 2 Years (EP Review)

Tranzformer & Big O Craft a Sonic Exploration of Contrast With “Dichotomy” (Album Review)

Action Figure 973’s Teaching “Ring Psychology” (EP Review)

Insane Clown Posse Returns to Their Original Sound on The 6th & Final Joker’s Card of the 2nd Deck “The Naught” (Album Review)

Champtown Has Always Been a “Rocker at Heart” (EP Review)

MIKE SUMMERS a.k.a. Seven Produces Timbo’s Debut EP “Perfect Imperfections” (EP Review)