The Dice of Destiny: A Lyrical History of Risk and Reward in Hip Hop

”The Different Kids” Goes to Show Kwamé Hasn’t Lost a Step, First LP in Over 3 Decades (Album Review)

Che Noir & The Other Guys Need “No Validation” (EP Review)

Westside Gunn Day is Celebrated with the Near-Perfect Drumless/Boom Bap Tape “Heels Have Eyes II” (Mixtape Review)

Kyle Rapps Drops Sun Soaked Rhymes on ‘Surf Tape’, Fully Produced By Dan The Automator (EP Review)

D Smoke’s Death Row Records Debut “Wake Up Supa” Opens a Window to His Self-Awareness (Album Review)

”Supreme Clientele 2” Feels Like Vintage Ghostface Killah Albeit Sharper (Album Review)

Tommy Marsh Don’t Want Your Love!

Rhyme Fest 2025: A Legendary Night at The Torch, LA Coliseum

”Lil Tart” Embraces Brigid Bites’ Electronic Influences Heavier (EP Review)

Shaggytheairhead’s Journey to a “Secret World” Helps Him Cope with These Past 2 Years (EP Review)

Tranzformer & Big O Craft a Sonic Exploration of Contrast With “Dichotomy” (Album Review)