Brother Nature, KimonoFox & RBX Unite for Electrifying Hip-Hop Visual “Great Lakes”

”Devilish Killer” Focuses on Blizzard as an MC Better Than “Iron Tiger of Shaolin” Did (EP Review)

Gathering of Legends Lineup & The JCW/GCW 2 Day War Card Revealed

Boldy James & Rome Streetz Embark on a “Manhunt” (EP Review)

“Oceans:Mondrian” Shows a Smoother Side to Seth Narley (EP Review)

”G A T H E R” Embraces the Dirtcore Sound Weeks Away from Madd Maxxx’ Gathering of Legends Set (Album Review)

Osbe Chill Levels Up Self-Produced New Album ‘Facing the East’, Best Effort to Date

Shogeist Drops Raw and Experimental Track “Tags”, a Haunting Reflection on Addiction

Rome Streetz & Conductor Williams Bringing Acclaimed New Album “Trainspotting” to Life in Los Angeles

”Alfredo II” Recaptures the Magic of Freddie Gibbs & The Alchemist’s 2020 Predecessor (Album Review)

“Funeral for a Dream” Reunites Childhood Friends Bronze Nazareth & Apollo Brown in a Full Circle Moment (Album Review)

LaRussell, Twista & Curren$y Light Up Champs Trade Show with Electrifying Live Performances at HHEMP.CO’s “Hemp World”

Insane E Releases a Conceptual EP About “E.A.R.T.H.” to Warm Up for “Neon Jesus” (EP Review)

Estee Nack & V Don Pull Out the Big Rifles & Pistols for “B.R.A.P. 2” (Album Review)

JAMS The Flava Child Embraces His L.A. Reinvention With New Album “Roll The Dice” (Album Review)

Flee Lord & ETO Bring RocameriKKKa to Life in Their Explosive LA Debut at The Paramount