Champs Trade Show Summer 2025 Brings the Heat with LaRussell, Twista, Curren$y & More

Larry June & Cardo Stay Keepin’ It Rockin’ “Until Night Comes” (Album Review)

Jane Handcock’s 2nd Album “It’s Not Me, It’s You” Covers All Parts of Her Story (Album Review)

Tha God Fahim & Nicholas Craven Have 1 “Final Explosion” to End S1 of “Dump Gawd: Hyperbolic Time Chamber Rap” (Album Review)

Da Inphamus Amadeuz & Shortee Sha Drop Street Heat with “My Brother’s Keeper”

The Role of Hip Hop Music in Online Gaming Ventures

RocAmeriKKKa (Flee Lord & Eto) Invading Los Angeles, Marking Their Headlining Debut

Alla Xul Elu Sends Shots at Twiztid on New 2-Part Song “I Get It, Twiztid” / “Deal with the Devil”

Alla Xul Elu Announces Departure From Majik Ninja Entertainment to Focus on Long Live Evil

K.O.A.T. Records & Kung Fu Vampire Release “Psycho” Visuals

Recognize Ali & Tragedy Khadafi’s Collab LP “The Past, The Present & The Future” is At Last Here 4 Years Later (Album Review)

Doggystyleeee Breaks Down His “Split Personality” (EP Review)

Daddy-O’s 9th Album is a Well Detailed Collection of “East New York Stories” (Album Review)

”Tha Playa$ Manual II” is Ramirez at His Best Since the Original (Album Review)

JBTHEMC Goes On a Hip Hop Journey “In The Mix” Featuring Westside Boogie