Posts

Chill Beats















Detroit Veteran Big Herk’s Refreshing Memories Since “Y’all Musta Forgot” (EP Review)

DEF-I – “DefPhilthy” | MIC SESSION

Elcamino & Fuego Base Are the New “Harlem Heat” (EP Review)

Nezzy Sharpens His Sword for His 3rd Album “Worm Food” (Album Review)

Jon Connor’s 7th Album “24” Prod. by KLC Homages the Late 90s No Limit Era (Album Review)

”5816 Forest” Unpacks Some of Tech N9ne’s Most Personal Material (Album Review)

Mark Ant & DET Presents MAXDET: A Monumental Collaboration Under Roc Nation Distribution (Album Review)

$uicideboy$ Announce Ramirez’ Departure From G*59 Record$

Memphis Bleek Takes It Back to “APT 3D”, First LP in 2 Decades (Album Review)

”The Chopping Tape” Feels More Soulful Than Reign of Terror’s Previous Material (Album Review)

HeyHolly Interview – June 2025

Bubu The Prince – MIC SESSION

“The Other 2/5ths or The Absolutely True Diary of a Part-Time Trench Baby” Drops a Few Days Early on Ghais Guevara’s Bandcamp (Mixtape Review)

Ankhlejohn & August Fanon Team Up “Live! at the Disco” (Album Review)

Crossworm’s 8th Album “Cruelty” Surpasses “Eat the Weak” in Being His Most Aggressive (Album Review)

Tommy Marsh Puts It All on the Line in “Still I Don’t Regret”

Daz Dillinger’s 21st Album “Retaliation, Revenge & Get Back 2” Takes It Back to the Essence of His Solo Debut (Album Review)