Memphis Bleek Takes It Back to “APT 3D”, First LP in 2 Decades (Album Review)

”The Chopping Tape” Feels More Soulful Than Reign of Terror’s Previous Material (Album Review)

HeyHolly Interview – June 2025

Bubu The Prince – MIC SESSION

“The Other 2/5ths or The Absolutely True Diary of a Part-Time Trench Baby” Drops a Few Days Early on Ghais Guevara’s Bandcamp (Mixtape Review)

Ankhlejohn & August Fanon Team Up “Live! at the Disco” (Album Review)

Crossworm’s 8th Album “Cruelty” Surpasses “Eat the Weak” in Being His Most Aggressive (Album Review)

Tommy Marsh Puts It All on the Line in “Still I Don’t Regret”

Daz Dillinger’s 21st Album “Retaliation, Revenge & Get Back 2” Takes It Back to the Essence of His Solo Debut (Album Review)

Slick Rick’s Comeback After 26 Years is a Huge “Victory” for Hip Hop (Album Review)

Evidence Drops New Single “Nothing To See Here” with Cinematic Video

The God Fahim Elevates His Rhyme Schemes on Dump Gawd: Hyperbolic Time Chamber Rap 13“ (EP Review)

Chino XL Returns with Ascen7ion: A Posthumous Masterpiece

McKinley Dixon’s 5th Album ”Magic, Alive!” Will Go Down as a Modern Jazz Rap Landmark (Album Review)

Exploring Mark Ant’s “Winter on Mason” Video: A Glimpse into Detroit’s Urban Soundscape

DJ Mad Pee & C.Terrible Drop Official Video “Panorámicos 16.9”

Hexxx Surprise-Drops 3rd EP “Suerte” Kickin’ That West Coast Wicked Shit after 2 Years (EP Review)