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Chill Beats















”Nickel Bag 2” Refines the Previous Installment of Twiztid’s EP Series (EP Review)

Drega33 Gets Recruited to Help RJ Payne Spit that International Payne on “Triangle D’Or” (EP Review)

Giallo Point Joins Nowaah the Flood to Tell the Story of “The Anomaly” (EP Review)

Vinnie Paz’ 9th Solo LP “God Sent Vengeance” Ends a 3-Year Trilogy (Album Review)

Celebrating 25 Years, DELTRON 3030 Announces Anniversary Tour

The Wu-Tang Clan’s New Record Store Day Exclusive LP “Black Samson, The Bastard Swordsmen” Finds Mathematics Evolving as a Producer (Album Review)

Immortal Technique and Poison Pen Rock the Stage at La Santa OC

Although Yesterday’s Vegas Tapings of “JCW Lunacy” Was Cancelled, John Cena Still Walks Out of WrestleMania XLI with Him 17in’

Ilajide Blends the Sounds of the 70s & Present Day on “Pocket Jams 2” (Album Review)

Jay NiCE Co-Stars in Tha God Fahim & Nicholas Craven’s “Dump Gawd: Hyperbolic Time Chamber Rap 11” (EP Review)

Westside Gunn Surprise-Releases New EP “Heels Have Eyes” (EP Review)

Madlove LA Takes Over the Echoplex

Tha God Fahim & Nicholas Craven Drop “Dump Gawd: Hyperbolic Time Chamber Rap 10” After a Week’s Delay (EP Review)

Barbaydose Return With Striking Visual for “Grizzly Peak” Off Alpha and Omega LP

Memphis Reigns Continues His Legacy With “The Magnolia Mixtape” With Remshot at the Helm