Jamie Madrox Taps in With Grady Finch for Debut Solo Single “Fairy Tale”

The Gloom Unit Are Coming Heavier on “Come Heavy II: Mo Heavy” (EP Review)

Shabazz The Disciple Drops “The Writing’s On The Wall” With Ed Nodz Behind the Boards (Album Review)

One Man Kru’s 3rd LP “Overthrowing the Underground” Doesn’t Hold Up to It’s Predecessor 7 Years Ago (Album Review)

Violent J of Insane Clown Posse Debuts 2025 Premiere Episode of Popular “JCW Lunacy” Webseries, Announces 3-Date “JCW Lunacy” Tour in March

Jae Skeese Puts in “40 Hours” to Start the New Year for Drumwork (EP Review)

Chad L. Connects With Producer LilBraiBrai For Latast Single “Pockets”

“Dump Gawd: Hyperbolic Time Chamber Rap 4” is the Most Sonically Varied of Tha God Fahim & Nicholas Craven’s EP Saga (EP Review)

Ant Drops Two New Singles from ‘Collection of Sounds Vol. 3’ – “Hello Darlings” b/w “Just A Business”

Wildcard Drops New Video “The January Flame,” Prod. By Johnny Slash, Chronicling The Dark Side Of Suburbia

Novatore Cohesively Tackles “Agoraphobia” (Album Review)

Eddie Kaine & Rim’s 3rd Collab Project “Welcome to Stuyville” Prod. by Camoflauge Monk & 38 Spesh Proves to Be the Strongest (Album Review)

Louie The Profit – “When It Counts” | MIC SESSION

Brooklyn’s Very Own Elvin Dale Drops New Album “The Dark in Me See the Dark in You”

Michigan’s Jhiakhana Drops New Visualizer For “MISTAAA Simms”

Mr. B Drops His Latest Single “GO”

Jon Connor Provides “Food for the Soul” (Album Review)

Start Your 2025 with The Inner Realmz’ New EP “Mass Collide” (EP Review)

DJ Quik Shuts Down Panic in LA New Year’s Celebration with Epic Performance