Quaesar Drops new Single/Visual – MURDEROUS MOMENTUM

Westside Gunn Recruits Denny LaFlare for “Hitler Wears Hermes XI” (EP Review)

Conductor Williams Releases Star-Studded Producer Mixtape “Conductor, We Have a Problem 3” (Mixtape Review)

Insane Clown Posse Continue Celebrating 25 Years of JCW with a Devil’s Night Pay-Per-View

Blaze Ya Dead Homie & Bukshot Walk Us Down the “Blockwork Morgue” Prod. by MIKE SUMMERS a.k.a. Seven (EP Review)

Celebrate Halloween in Detroit with House of Krazees, Twiztid & Insane Clown Posse

House of Krazees Return to Form Celebrating “31” Years (Album Review)

Stones Throw Records Takes Over the Lodge Room

Termanology and Tek of Smif-N-Wessun Announce Collaborative Project “Teknology” for December Release

”Deathpression / Inhumanity” Proves Heaven & Miztica’s Uniqueness on the LSP Roster (Album Review)

Tha Eastsidaz Are Very Much “Still Easty” (EP Review)

Che Noir’s 3rd Album “The Lotus Child” Raises All Stakes (Album Review)

Xzibit Reconnects with Dr. Dre & Dem Jointz for 2nd “Kingmaker” Single “Been a Long Time, Pt. 2”

“Tha Myth Who Never Quit 2” Prod. by Nicholas Craven is Now Tha God Fahim’s Best 2024 Offering (Album Review)

Nvy Jonez LKR Starts New EP Series in the Form of “583” Prod. by Man of Many Hats (EP Review)

Saint Dog’s Posthumous 4th & Final Album “Funky Soul” Returns to His Roots (Album Review)

Marcel “Fable” Price Signs to Dirtcore Music, Premieres “Kehinde” Video Prod. by Crossworm