Young Malk is Back With “Off Books”, His Most Potent Album to Date

Supa Sounds Presents: “Sueño” New Single By VH$ Featuring Speak x Destineé

Azomali Links Up With BLU Dropping New Single “The Truth”

Kutt Calhoun’s 5th Album “T.D.I.A.L. (The Devil Is A Lie)” Gets Overloaded with Features (Album Review)

”Psycho Babbel” Further Testifies to Ouija Macc’s Growth (Album Review)

Lil Dee – “King James” | MIC SESSION

The Hoodies Make the Argument That “Nobody Bigger Than We” (EP Review)

Rome Streetz and Daringer Shut Down the Moroccan Lounge in LA

Ouija Macc Premieres the “Fire Buggalo” Video, New Album “Psycho Babbel” Drops This Friday

Crossworm Hires Corissa “Bando” Hunziker as Label Manager for Dirtcore Music

The Lox Celebrates 30 Years in LA at The Belasco

Blu & Exile Take a Different Approach on “Love (the) Ominous World” [Album Review]

“Mc Wicks Drops New Visuals for Humanity.”

BLAX’ 3rd Album “BLAXPLOITATION” Proves to Be His Most Impactful (Album Review)

Black Milk makes epic return to LA at Lodgeroom for their Your Cre-a-Tour

Annimeanz – “How You Doin” | MIC SESSION

J. Reno Signs to Dirtcore Music, Releases Lead Single to Next LP “Out the Dirt” Prod w/ Crossworm

“dance on my grave” Finds Twiztid Further Improving on What “Unlikely Prescription” Lacked

J. Rawls Reunites With Talib Kweli for His 10th Solo LP “The Confidence of Knowing” (Album Review)

Fat Beats Celebrates 30 Years at Avalon Hollywood