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Chill Beats















Crimeapple’s 13th LP “Bazuko” Prod. by Big Ghost Ltd. is a Near Perfect Sequel to “Aguardiente” (Album Review)

Big Hit’s Sophomore LP “Blacks & Whites” Prod. by Hit-Boy & The Alchemist Elevates Him Artistically (Album Review)

Wu-TANG KILLA BEES!

Insane E Returns After a Decade to Balance the “Scales” (Album Review)

Intre – “Dvrk” | MIC SESSION

Panic In LA, May 2024 Recap

Adrien Lamont’s “God is Love” Offers a Melodic Reminder in Troubled Times

Inglewood Pizzle Interview | With Prodak Pistolas

“Sewaside III” Further Reveals Mike Shabb’s Talents as an MC & as a Producer (Mixtape Review)

Joey Pappas Raps About Emotional Numbness In So Cold

Airospace Takes Off In Latest Visual “SUPERFAMICOM”

A Decade of Impact, ScHoolboy Q Announces “Oxymoron” 10th Anniversary Limited-Edition Vinyl

Aesop Rock Drops New Single/Video Short For “Pigeonometry”

Atmosphere Announce “Tour De Friends: Part Trois” Headline Tour Dates

Wes Nihil Teams Up With Stu Bangas For “It Is What It Is” Video

Da Beatminerz Unveil “My Year” Single with Star-Studded Lineup and Animated Video

Unveiling REKS’ Latest Gem “Hidden Messages In Water” Album

Ghostface Killah Gives a Star-Studded Mass Appeal Records Debut in “Set the Tone (Guns & Roses)” [Album Review]

XP THE MARXMAN INTERVIEW | HOSTED BY: PRODAK PISTOLAS

RA K7NG & DJ Kawon’s “Uplift Her” Is A Soulful Anthem Of Empowerment

Masamoon Channels Their Ferocity Through Debut LP “B.I.D.S. (Beautifully Ignorant Disrespectful Shit)” [Album Review]