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Chill Beats















King Guess – “Habla Me” | MIC SESSION

Dazy Lyn | Exclusive Interview

Keagan Grimm is Spitting the “Gospell” (Album Review)

”The Chainsmoker II” Showcases Monoxide’s Lyrical Evolution Nearly 2 Decades After the First One (Album Review)

J.Lately & Mani Draper “Proceed” To Capture The Listener In New Single

Shaggy 2 Dope Adds HEXXX Onto May 16 Show of the Psychopathic Soldier Tour

“The Life We Chose (The Arcitype Remix) FT. Stu Lee, Fashawn, Pacewon & Block McCloud

Frankie Goldie & Darby O’Trill Talk “Caviar Dreams”

Monstroe – “Outlandish” | MIC SESSION

Orange County Emcee Pecks One Drops Intimate New Father Anthem & Visual “Audio For My Unborn Child”

BeOND & MZ 1 – “Level Up” | MIC SESSION

Gazan Rappers Saint Levant & MC Abdul Join Forces in “Deira” Video

Ill Bill & Necro Reunite as Blood Brothers With New Video “Outlaw”

Sky-High Art: Graffiti’s Rise with Drone Tech and Social Media

Tha God Fahim Compiles 10 New Tracks & 9 Older Cuts Onto “Dump Goat II” (Album Review)

House of Krazees Recall the “Night They All Died”

Heems’ Wit Compliments Lapgan’s South Asia Samples on Sophomore LP “Lafandar” (Album Review)

Frankie Goldie Releases Vibrant New Song “Rollie”

Conway The Machine Premiere’s “Vertino” Feat. Joey Bada$$

“III” Closes Out the “S.O.S.”, “Vinnie Chase” & “The Calling” Trilogies of Jon Connor’s Discography (Album Review)

3 Industries That Have Been Influenced by Hip Hop

”The Thinnest Line III” is the Best Installment of ¡MAYDAY!’s Trilogy Since the Original (EP Review)

Charlie Smarts, DJ Ill Digitz, & Brainorchestra Drop the SNDTRAK Remix of ‘Leaders of the New School’