Kyle Rapps Drops Sun Soaked Rhymes on ‘Surf Tape’, Fully Produced By Dan The Automator (EP Review)

D Smoke’s Death Row Records Debut “Wake Up Supa” Opens a Window to His Self-Awareness (Album Review)

”Supreme Clientele 2” Feels Like Vintage Ghostface Killah Albeit Sharper (Album Review)

Tommy Marsh Don’t Want Your Love!

Rhyme Fest 2025: A Legendary Night at The Torch, LA Coliseum

”Lil Tart” Embraces Brigid Bites’ Electronic Influences Heavier (EP Review)

Shaggytheairhead’s Journey to a “Secret World” Helps Him Cope with These Past 2 Years (EP Review)

Tranzformer & Big O Craft a Sonic Exploration of Contrast With “Dichotomy” (Album Review)

Action Figure 973’s Teaching “Ring Psychology” (EP Review)

Insane Clown Posse Returns to Their Original Sound on The 6th & Final Joker’s Card of the 2nd Deck “The Naught” (Album Review)

Champtown Has Always Been a “Rocker at Heart” (EP Review)

MIKE SUMMERS a.k.a. Seven Produces Timbo’s Debut EP “Perfect Imperfections” (EP Review)

The Dropout Kings’ 3rd Album “Yokai” Powerfully Remembers the Late Adam Ramey (Album Review)