Kid Gotti latest single – Nickel & Dime

The Way Your Old Droog Looks at It: “anything is possible” (EP Review)

Immortal Technique Take Over at La Santa OC

Von Pea’s 4th Album “Putcha Weight on It” Prod. by The Other Guys Could Be His Best Since “The Fiasco” (Album Review)

”Rowtation” Feels More Introspective Than Daz Dillinger’s Last Couple of LPs (Album Review)

Awich Tells the Story of an “Okinawan Wuman” Prod. by RZA (Album Review) | エイウィッチはRZAがプロデュースした「沖縄のウーマン」の物語を語る (アルバムレビュー)

Celebrating 25 Years of Del The Funky Homosapien’s ‘Both Sides Of The Brain’

Jalen Frazier’s 5th EP “Eye of the Beholder” Prod. by Machacha Modernly Rebirths the Griot Tradition (EP Review)

Ouija Macc Justifies Himself as “America’s Most Wicked” (Album Review)

De La Soul’s Mass Appeal Records Debut “Cabin in the Sky” Remembers the Late Trugoy (Album Review)

Ransom & Conductor Williams Confront “The Uncomfortable Truth” (EP Review)

Tha God Fahim & Drega33 Shake Things Up with a “Slam Dump” (EP Review)

”Criminally Attached” Prod. by Nicholas Craven Makes For an Outstanding Roc Nation Debut for Boldy James (Album Review)