Jason Martin Locks Back in With Mike & Keys for Featureless “A Hit Dog Gonna Holla” (EP Review)

Mobb Deep’s 9th & Allegedly Final Album “Infinite” Recaptures Their Classic Sound (Album Review)

Mao!Lik’s “The Shift” is a Raw Metamorphosis in 16 Tracks (Album Review)

Stevie Stone Has “No Blueprints” Mapped Out for His Best Ahdasee LP (Album Review)

Tomorrow, We Eating Steaks: AJ Snow, Kool Kid Kalvo & Jansport J Serve a Golden Era Feast

X-Raided’s 3rd Strange Music LP Albeit 19th Overall “A Prophecy in Purgatory” is His Most Personal & Powerful (Album Review)

”Mino” Takes a Look At Elcamino’s Introspective Side (Album Review)

Plain Pat Fully Produces LIFEOFTHOM’s Greatest Body of Work To Date “Driving Blind” (Mixtape Review)

AJ Snow and Jansport J are back with hot new singles

Wilmington Harbor-Area Emcee Divine Flowz Returns with New Mixtape Self Reflection

jev. Tests Out Newer Flows on ”LONERWRLD 2” (EP Review)

La Reezy Pushes Himself to Greater Artistic Heights on His Self-Prod. 4th EP “Lareezyana Shakedown” (EP Review)

“Dump Gawd: Hyperbolic Time Chamber Rap 16” Premieres Season 2 of Tha God Fahim & Nicholas Craven’s Beloved Series (EP Review)