Tha God Fahim & Nicholas Craven Drop 5th EP of the Week “Dump Gawd: Hyperbolic Time Chamber Rap 8” (EP Review)

Termanology Embarks on an Audible Journey Through Life with “Things I Seen” (Album Review)

Ramson Badbonez Returns to High Focus Records with “White Rabbit” Prod. by Leaf Dog (Album Review)

Reuben Vincent’s 3rd Mixtape “Hit Me When You Get Here” Prod. by 9th Wonder Gives a Taste of Their Upcoming LP (Mixtape Review)

DJ D-Styles Reunites with Nowaah the Flood for “Crème de la Crème” Sequel “Beluga” (Album Review)

Drega33 Produces Tha God Fahim’s 53rd EP “Lethal Weapon” (EP Review)

Hus Kingpin Threesome 5: Only Built for Supermodels – Album Review

”Dump Gawd: Hyperbolic Time Chamber Rap 6” Levels Up Tha God Fahim & Nicholas Craven’s Versatility (EP Review)

Che Noir Enlists Superior to Produce Her 8th EP “Seeds in Babylon” (EP Review)

Tierre Diaz’ 2nd Album “Maniflex” is the Most Important of His Career (Album Review)

Tha God Fahim Begins the Dumpathon with “Dump Gawd: Hyperbolic Time Chamber Rap 5” (EP Review)

¡MAYDAY!’s 9th Album “Justus” Retains Everything You Love About Them (Album Review)

Inzom – “Blue Truths” | MIC SESSION